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This book is the first indepth, critical account of the concept album from its highest creative moments to its most pretentious, flailing abominations. This work rediscovers the pre-history of the form in folk and country music, before covering its rise to prominence during the era of psychedelia and prog. It goes on to cover some of the most successful albums in the history of popular music, including - The Beatles’ Sgt Pepper’s Lonely Hearts Club Band, The Who’s Tommy, David Bowie’s Ziggy Stardust and the Spiders from Mars, and Pink Floyd’s The Wall. The lean years of the concept album are also discussed, especially the eighties when it was kept alive within heavy metal, before being subtly resurrected by the alternative and hip hop artists of the nineties. Now the concept album is back, with artists as varied as Green Day, Arcade Fire, Mastodon, and My Chemical Romance releasing conceptual work in the new millennium, as a way to keep the album format relevant in the digital era. This book reveals the subtle currents that brought the concept album in and out of fashion, showing a new way to look at popular music over the last fifty years and unearthing some of the most ambitious and most bizarre musical projects ever conceived. Its time to delve into the world of the concept album… This is a revised and updated version which also includes images of some of the major artists along the way.
- Sales Rank: #4271012 in Books
- Published on: 2015-10-20
- Original language: English
- Number of items: 1
- Dimensions: 7.81" h x .48" w x 5.06" l, .46 pounds
- Binding: Paperback
- 210 pages
About the Author
Gareth Shute is a music journalist who has published four books on music and the arts through Penguin/Random House, as well as writing regularly for Lonely Planet. He is also a musician and has toured internationally as a member of indie groups, the Ruby Suns and the Brunettes.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Solid enjoyable book, but lacking flair
By Tim Wilson
I bought this book because I wanted to write an essay about concept albums for a university course I was doing. I actually expected it to be an amazon short for this price, but instead found it was around the length of a short novel. It was a pretty enjoyable read, though the introduction and last chapter were the best bits and I must admit I skim-read some of the middle chapters (I'm not that interested in concept albums by hip hop or country artists or whatever). It's not the most amazing music book I've ever read, since it lacks the flair of Simon Reynolds or Lester Bangs, etc. Despite that, it sure beat a lot of the crap I'd seen online so provides decent coverage of the subject I would say.
1 of 1 people found the following review helpful.
From golden era classics like Bowie and the Beatles to modern maestros such as ...
By C.B. Currie
From golden era classics like Bowie and the Beatles to modern maestros such as The Streets and Gorillaz, this book tracks the rise of the concept album, its ups and downs and ultimately looks to the future of the art. An informative and riveting narrative from start to finish.
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