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Los Angeles, l945: When Hosanna Clark, newly arrived from the farm fields of Texas, befriends Holocaust survivor Gilda Rosenstein, she opens the door to a new life for them both. Using Gilda's knowledge of cosmetics and Hosanna's energy and determination, they begin producing a line of lipsticks and lotions for black women. The two are more than partners: They are dear friends.
Then Gilda suddenly disappears, taking all the assets. Hosanna is doubly betrayed: financially ruined and emotionally bereft. When, years later, she passes away, her small cosmetics company dies with her. But Hosanna leaves behind a daughter steeped in her mother's pain: Matriece is as smart and driven as her mother and savvy enough to recognize that white firms are competing not only for black consumer dollars but for black professional talent as well. When Gilda's huge cosmetics conglomerate hires her to launch a line of black beauty products, Matriece takes on a mission to collect her mother's debt.
What You Owe Me is a stunning account of the changes we have seen in white attitudes toward blacks, but it is also a sensitive look at what betrayal-of friendship, of love-does to us all. Ultimately, it is a moving book about healing. As Emerge magazine acknowledged, "Campbell's writings are a beacon of light, helping assuage the anger by tending our deepest wounds."
- Sales Rank: #923626 in Books
- Published on: 2001-08-06
- Released on: 2001-08-06
- Original language: English
- Number of items: 1
- Dimensions: 9.24" h x 1.65" w x 6.38" l,
- Binding: Hardcover
- 400 pages
From Publishers Weekly
The friendship between a black woman and a new immigrant in 1940s California sets in motion events that span two generations in Campbell's (Singing in the Comeback Choir) densely plotted new novel. Hosanna Clark, a maid at an elegant Los Angeles hotel, befriends her new white co-worker Gilda Rosenstein, a Holocaust survivor whose family had owned a cosmetics factory. When Hosanna tries a special lotion Gilda has made, she persuades Gilda to produce it for Hosanna to sell to local black women. They are very successful, and at Gilda's suggestion they open a joint bank account. Not long after, Gilda and her new husband disappear with all their profits. Daughter Matriece, a witness to Hosanna's struggle to survive on her own, resolves to achieve the success her mother never had; she eventually becomes a division president in Gilda's cosmetics empire. Ignorant of Matriece's identity, Gilda mentors the young woman, with whom she feels an unexplained bond. Gilda's reaction, when she finally learns the truth, is unexpected, and she startles everyone with a surprising proposal that brings the story to a neat conclusion. Numerous subplots crowd the novel, covering issues from reparations and education to romance and betrayal. Campbell's detailed treatment of each accounts for the book's length, but all are credibly tied to the central tale. Character portraits are sometimes shallow, and the story's length tests the reader's stamina, but those with the patience to follow its intricate, entwined relationships will find the novel rewarding. (Aug. 6)Forecast: This wide-ranging effort is most reminiscent of Campbell's 1994 Brothers and Sisters and is positioned to perform just as strongly. First serial went to Essence magazine, and the book has been chosen as a main selection of the Black Expression Book Club and as an alternate selection of BOMC, the Literary Guild, Doubleday Book Club and QPB. A major ad/promo campaign and a 27-city author tour will cover all conceivable bases.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Campbell (Brothers and Sisters) here tells the story of Hosanna Clark, a black maid in a Los Angeles hotel, and her surprising relationship with Gilda, a white Jewish migr e from Poland. Just after World War II, the women join forces to promote a hand lotion that Gilda makes, with Gilda managing the financial end of their newborn partnership and Hosanna hustling the product. But just as they quit their jobs to make cosmetics for black women full time, Gilda disappears, as does all the cash in their joint bank account. Gilda starts her own cosmetics company, which brings her both fame and fortune, and Hosanna passes her jealousy, anger, and thirst for revenge on to her daughter, Matriece. Matriece goes to work for Gilda after Hosannah dies, with unfocused plans for revenge, but the crisis is unexpectedly resolved, with a happy ending for everyone. Campbell freights her story with ethical and religious messages and abundant black/white and parent/child conflicts it cannot quite sustain. Though the characters are well drawn, they are stereotypical, and their dialog is thin and somewhat stilted. Not as convincing as her other works but still a good read; recommended for public libraries. Joanna Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence
Copyright 2001 Reed Business Information, Inc.
From Booklist
An unlikely pair of women--a black woman from Texas and a Jewish woman newly arrived from Poland--meet in L.A. in the 1940s and begin a friendship that will prompt 50 years of bitterness and betrayal. Hosanna fled Texas with her brother after their family was cheated out of their land. Gilda is a recent survivor of the German concentration camps, still wearing the internal and external scars. The only thing of value that Gilda has brought with her is her family's formula for moisture lotion. Hosanna gets the idea of selling the lotion to black women longing for a little beauty and luxury in their harsh lives. But Gilda and Hosanna's friendship--and partnership--can't withstand racism and the meddling of Gilda's family. Hosanna is abandoned, nearly penniless, to continue her enterprise alone. She forsakes a true love and neglects her husband and daughters for the sake of her business. Fifty years later, long after Hosanna's death, her daughter Matriece, literally haunted by her mother, carries on Hosanna's drive and sense of betrayal. When she goes to work for Gilda Cosmetics, Matriece keeps her identity secret until she can recover what her mother lost. But she learns what Hosanna never did: how to balance love and ambition, friendship and enterprise. Vanessa Bush
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
Bland & Too Long
By Nancy Hochman
I have to preface this review by saying that Bebe Moore Campbell is one of my all-time favorite authors and I LOVED her other novels. But this is by far her worst. First of all there are too many subplots that are unnecessary to the the central story. Not to say that they aren't intriguing, however, she would have been better off leaving them out and using them as plots for another novel. While they do all somehow tie together, they don't tie together in a relevant way. The central plot is about the betrayal of a black woman named Hosanna who started a cosmetics company with a while, jewish woman named Gilda in the late 1940s. Gilda ends up disappearing and runs off with the money that they both earned and eventually builds a cosmetics empire of her own. Hosanna's anger and pain is passed down to her daughter Matriece who goes to work for Gilda and vows to eventually collect what was owed to her mother. If Campbell had focused solely on this theme, without delving off on tangents involving her relationships with her long lost father, or her relationship with her nephew and sister's family, I think the novel would have been better served. As I said, these subplots were interesting, but perhaps she could have saved them for another book, or perhaps a sequel to this one.
The characters were thin and stereotypical: the deadbeat dad; the famous, lonely and unhappy rock star; the son & daughter who feel overshadowed by their powerful father and mother, etc. This book could have be tighter by losing 200 pages. I hate to criticize any of Campbell's books because she is so talented. So on that note, I will HIGHLY recommend reading some her earlier works like "Your Blues Ain't Like Mine", "Brothers & Sisters", and "Singing in the Comeback Choir." Those are GREAT books. ...
7 of 8 people found the following review helpful.
A Great Novel With a Great Lesson
By Mocha Girl
This novel was a bit lengthy, but don�t let it dissuade you from reading it. It was a very enjoyable read spanning three generations and fifty years. In the early part of the novel, the two primary characters, Hosanna Clark and Gilda Rosenstein, one black, one Jewish form a friendship and business only to end in Gilda betraying Hosanna. The remainder of the story includes an interesting cast of characters who are largely members and friends of both families including one of Hosanna�s daughters (Matriece �Triesey� Carter) who learn of Gilda�s perfidy from their mother and feels obligated to right the wrongs done to her mother. The plot thickens as the history, hidden agendas, and background of the characters are revealed. Without revealing too much�there were lessons to be learned in the lives of these characters�the pain of vengeance, peace of atonement, and the power of forgiveness. Campbell crossed race and socio-economic lines to bring life to a great novel.
Although some parts were slow and in this reader�s opinion I think it could have been shortened, this was a true page-turner, especially in the last 1/3 of the book. You'll leave with a message that we all need to consider...
1 of 1 people found the following review helpful.
Worth the Read - Can't Believe It's Fiction
By Smootchez
I purchased this book when it was first released and put the book down by page 50 because it starts slow. The hardcover edition is 500+ pages.
During Thanksgiving break 2002, I started reading the book again and couldn't believe I put it down a year earlier. The story of Hosanna (black Texan farm girl) and Gilda (Jewish Holocaust survivor) friendship/partnership is remarkable. The legacy that Hosanna passes on to her daughter regarding the betrayed friendship/partnership is even better. "What You Owe Me" displays how people can miss out on many of life's blessings when they are plagued by guilt or too determine to get revenge. This book is an emotional rollercoaster (tears, anger, laughter, heartbreak, insecurity, extreme confidence, etc.) I would love to see this book made into a movie!
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