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This authoritative guide to color theory and color reproduction in the graphic arts has been fully updated and reorganized, now placing greater emphasis on digital imaging technologies. Contains the industry's most comprehensive coverage of all facets of color, from color vision and measurement to the elusive but critical topics of color quality objectives and color communication.
- Sales Rank: #1917169 in Books
- Brand: Brand: PIA/GATFPress
- Published on: 2004-07-30
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 7.25" w x .75" l,
- Binding: Hardcover
- 383 pages
- Used Book in Good Condition
From the Inside Flap
A comprehensive guide to color concepts and practices...
This third edition of Color and Its Reproduction: Fundamentals for the Digital Imaging and Printing Industry presents an updated treatment of the concepts and technologies related to the processes of how we define, produce, and evaluate color reproduction quality. This authoritative text is directed to all who seek greater understanding of the fundamentals of color and color reproduction.
Skilled prepress and printing personnel; suppliers of ink, paper, and equipment; production and quality managers; and others involved in production work will gain a deeper understanding of their own particular field of expertise. Technically inclined designers, print buyers, sales representatives, and general managers also will find much to interest them in this text. Students at colleges and universities will gain an appreciation of the interrelated nature of all stages in the color reproduction process, and color and imaging scientists new to the unexpected complexities and professional standards of graphic arts color work have much to gain from the insights presented here.
In addition to three appendices, an extensive glossary, a comprehensive set of references, and two indexes, the book's fifteen chapters cover all aspects of the field in depth.
About the Author
Gary G. Field is an Imaging Scientist and Professor at the California Polytechnic State University. His contributions to the printing industry in color reproduction, print quality, and related fields have been widely recognized through such awards as the GATF Robert F. Reed Technology Medal and the Institute of Printing's Gold Medal.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Ken
Fast and accurate
1 of 1 people found the following review helpful.
Get Color
By A Customer
No way would I take COLOR AND ITS REPRODUCTION off my shelf of all-time excellent reading except for the next update. The author says the best printed image steers clear of dot gain, goes in for trapping and perfect register, and prints high-density neutral black. Color quality works best when the original has no image defects, fluorescent materials or nongamut colors; the ink film is glossy, thick and transparent; the paper is a glossy, opaque, smooth white, with little absorbency and internal light scattering; and the printing sequences black after yellow in a stably run press with properly-adjusted impression pressures.
Gary G. Field refers electrophotographic, flexographic, gravure, letterpress, lithographic, and screen printing for such different short- to long-run color markets as high- or routine-quality and on-demand. His book stands on its own as a teach-yourself guide, with an elegantly straightforward style and with thick appendixes including bibliography, color equations, and glossary. But it also helps anyone reading Richard M. Adams II and Joshua Weisberg's THE GATF PRACTICAL GUIDE TO COLOR MANAGEMENT, Kelly Kordes Anton's USING QUARKXPRESS 4, Steve Bain's FUNDAMENTAL QUARKXPRESS 4, Hal Hinderliter's UNDERSTANDING DIGITAL IMPOSITION, Harold L. Peck's STRIPPING: THE ASSEMBLY OF FILM IMAGES, Z.A. Prust's GRAPHIC COMMUNICATION: THE PRINTED IMAGE, and Fred Wentzel's GRAPHIC ARTS PHOTOGRAPHY: COLOR.
0 of 0 people found the following review helpful.
Les couleurs du paradis
By A Customer
Les meilleures images imprimees se font des points nonbaves, du noir a haute densite, et des couleurs superimposees dans les sequences correctes. Les meilleures couleurs se font des couleurs de la gamme, des images nondefectueuses, et des nonfluorescents. Les meilleures encres se montrent epaisse, lustree, transparente. Les meilleures feuilles se montrent blanche, lustree, peu absorbente, avec la lumiere dispersee a l'interieur. Les meilleures presses reglent la tension a l'empreinte et impriment le noir apres le jaune. Les meilleures gens de la couleur connaissent les marches, tels que la qualite haute ou ordinaire ou bien la sur-demande, qu'il s'agisse de l'imprimer electrophotographique, flexographique, gravure, lithographique, typographique or bien celui a l'ecran
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